{"id":11992,"date":"2026-09-01T09:40:41","date_gmt":"2026-09-01T07:40:41","guid":{"rendered":"https:\/\/hias-hamburg.de\/?post_type=fellow&#038;p=11992"},"modified":"2026-09-01T11:58:35","modified_gmt":"2026-09-01T09:58:35","slug":"mark-anthony-cayanan","status":"publish","type":"fellow","link":"https:\/\/hias-hamburg.de\/en\/fellow\/mark-anthony-cayanan\/","title":{"rendered":"Mark Anthony Cayanan"},"content":{"rendered":"\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading\">Project at HIAS<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bakla, Bading, Beki, etc.: A Glossary of Queerness in the Philippines<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cBakla, Bading, Beki, etc.: A Glossary of Queerness in the Philippines\u201d is a work of creative scholarship, one that adopts a peripheral component of long-form academic titles as its primary form in order to enact its central desire: to foreground the history and lived realities of a minoritized collective in Philippine society. Gesturing toward the formation of a chronicle of Philippine queer presence, the glossary haphazardly covers the precolonial period until the contemporary moment of the project\u2019s milieu, and attempts to redress how effacement and defacement are fundamental historical conditions of queer subjects. To signify the literariness of the project, the glossary would undergo a process of composition that combines rigorous archival research with swaths of storytelling, citational invention, and gossip: The interfusion of fact and fiction is crucial to the project in its attempt to maintain the regenerative capacity of human imagination when grappling with historical loss and personal trauma, while also acknowledging the irreparability of this loss.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mark Anthony Cayanan&#8217;s Tandem Partner is Sophie Witt, Professor of Literary Studies at the University of Hamburg.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group alignfull Pattern-HighlightInfo HighlightInfo has-orange-background-color has-background has-global-padding is-layout-constrained wp-container-core-group-is-layout-eae09af0 wp-block-group-is-layout-constrained\" style=\"padding-top:var(--wp--preset--spacing--50);padding-right:0;padding-bottom:var(--wp--preset--spacing--50);padding-left:0\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7c9e1071 wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--40)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-right:var(--wp--preset--spacing--40)\">\n<h2 class=\"wp-block-heading\">Website<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/up.edu.ph\/\" data-type=\"link\" data-id=\"https:\/\/up.edu.ph\/\" target=\"_blank\" rel=\"noreferrer noopener\">Mark Anthony Cayanan<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Funding<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/www.uni-hamburg.de\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1667\" height=\"567\" src=\"https:\/\/hias-hamburg.de\/wp-content\/uploads\/2025\/09\/hias_logo_uni_hamburg.png\" alt=\"\" class=\"wp-image-10293\" style=\"aspect-ratio:2.9400706107213095;width:268px;height:auto\" srcset=\"https:\/\/hias-hamburg.de\/wp-content\/uploads\/2025\/09\/hias_logo_uni_hamburg.png 1667w, https:\/\/hias-hamburg.de\/wp-content\/uploads\/2025\/09\/hias_logo_uni_hamburg-768x261.png 768w, https:\/\/hias-hamburg.de\/wp-content\/uploads\/2025\/09\/hias_logo_uni_hamburg-1536x522.png 1536w, https:\/\/hias-hamburg.de\/wp-content\/uploads\/2025\/09\/hias_logo_uni_hamburg-1600x544.png 1600w, https:\/\/hias-hamburg.de\/wp-content\/uploads\/2025\/09\/hias_logo_uni_hamburg-1024x348.png 1024w, https:\/\/hias-hamburg.de\/wp-content\/uploads\/2025\/09\/hias_logo_uni_hamburg-800x272.png 800w, https:\/\/hias-hamburg.de\/wp-content\/uploads\/2025\/09\/hias_logo_uni_hamburg-600x204.png 600w, https:\/\/hias-hamburg.de\/wp-content\/uploads\/2025\/09\/hias_logo_uni_hamburg-400x136.png 400w\" sizes=\"auto, (max-width: 1667px) 100vw, 1667px\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">The HIAS Fellowship is provided by the Free and Hanseatic City of Hamburg and the federal and state funds acquired by the University of Hamburg in the framework of its Excellence Strategy.<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-left:var(--wp--preset--spacing--40)\">\n<h2 class=\"wp-block-heading\">Tandem<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.philosophie.uni-hamburg.de\/liberalarts\/personen\/witt.html\" data-type=\"link\" data-id=\"https:\/\/www.philosophie.uni-hamburg.de\/liberalarts\/personen\/witt.html\" target=\"_blank\" rel=\"noreferrer noopener\">Univ.-Prof. Dr. Sophie Witt<\/a>, Literary Studies, University of Hamburg<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\" style=\"margin-bottom:var(--wp--preset--spacing--80)\">\n<h2 class=\"wp-block-heading\">Biography<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Mark Anthony Cayanan is an Associate Professor at the University of the Philippines in Diliman. They obtained an MFA in Creative Writing from the University of Wisconsin in Madison and a PhD from the University of Adelaide, where they received the Dean&#8217;s Commendation for Doctoral Thesis Excellence and the University Doctoral Research Medal. They are the recipient of a postdoctoral fellowship from the ICI Berlin Institute for Cultural Inquiry and of writing residencies from Civitella, Villa Sarkia, Art Omi, Ventspils International Writers&#8217; House, and Saari. Cayanan is the author of&nbsp;the poetry books <em>Narcissus<\/em>&nbsp;(ADMU Press);&nbsp;<em>Except you enthrall me<\/em>&nbsp;(UP Press); and&nbsp;<em>Unanimal, Counterfeit, Scurrilous<\/em>&nbsp;(Giramondo, Australian ed.; UST Pub House, Philippine ed.). Their fourth lyric sequence,&nbsp;<em>Miracle Fever,<\/em>&nbsp;is forthcoming from Northwestern University Press in November 2026. Their poems have been published in, among others,&nbsp;<em>Australian Poetry Journal, Kenyon Review, Indiana Review, Harvard Review, Bennington Review,&nbsp;<\/em>and&nbsp;<em>Georgia Review.<\/em>&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In ways both direct and oblique, Mark Anthony Cayanan\u2019s research interests are tethered to their work as a poet. Through their creative production, they engage with the intricacies of subject position\u2014the imbrications of sexuality and gender identity, religion, and social class\u2014and examine psycho-geographic demarcations and extensions that may exist along localized, national, and cosmopolitan terrains. The scholarship they have pursued, primarily expressed through theory-inclined poetics essays, displays an investment in tracing the histories of queer Anglophone poets, as well as the systems of literary interpretation, reception, and circulation that these poets find themselves immersed in.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mark Anthony Cayanan\u2018s HIAS Fellowship is provided by the Free and Hanseatic City of Hamburg and the federal and state funds acquired by the University of Hamburg in the framework of its Excellence Strategy.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group alignwide Pattern-Image-Credits Accordion Accordion--accordionList Accordion--imageCredits has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group alignwide Accordion__list is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group Accordion__item has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group is-content-justification-space-between is-nowrap is-layout-flex wp-container-core-group-is-layout-f36ac205 wp-block-group-is-layout-flex\">\n<h3 class=\"wp-block-heading Accordion__title has-xlarge-font-size\">Image Information<\/h3>\n<\/div>\n\n\n\n<div class=\"wp-block-group Accordion__wrapper has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group Accordion__content has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">&#8220;2 A Token of Our Friendsgip&#8221; from the book&nbsp;<em>A Token of Our Friendship: Philippine Photos of Male Affection : First Half of the 20th Century, <\/em>a collection of vintage photos from John L. Silva and published by Ige Ramos Design Studio in 2011<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"featured_media":0,"template":"","fellow-years":[122],"class_list":["post-11992","fellow","type-fellow","status-publish","hentry","fellow-years-122"],"acf":[],"_links":{"self":[{"href":"https:\/\/hias-hamburg.de\/en\/wp-json\/wp\/v2\/fellow\/11992","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hias-hamburg.de\/en\/wp-json\/wp\/v2\/fellow"}],"about":[{"href":"https:\/\/hias-hamburg.de\/en\/wp-json\/wp\/v2\/types\/fellow"}],"wp:attachment":[{"href":"https:\/\/hias-hamburg.de\/en\/wp-json\/wp\/v2\/media?parent=11992"}],"wp:term":[{"taxonomy":"fellow-years","embeddable":true,"href":"https:\/\/hias-hamburg.de\/en\/wp-json\/wp\/v2\/fellow-years?post=11992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}